Installation view of Perpetual dizziness, Simone Subal Gallery, New York, 2019. Photo: Dario Lasagni.
Installation view of Perpetual dizziness, Simone Subal Gallery, New York, 2019. Photo: Dario Lasagni.
Installation view of Perpetual dizziness, Simone Subal Gallery, New York, 2019. Photo: Dario Lasagni.
Installation view of Perpetual dizziness, Simone Subal Gallery, New York, 2019. Photo: Dario Lasagni.
The disease of efficiency, 2018. Oil on aluminum and plywood, sliding mechanism. Open: 32 × 41 ½ inches (81.28 × 105.41 cm). Closed: 32 × 21 ½ inches (81.28 × 54.61 cm).
Predictive Coding, 2018. Oil and permanent marker on gessoed paper. 21 × 14 ½ inches (53.34 × 36.83 cm).
Face formation, 2018. Oil on marine plywood. 32 × 24 inches (81.28 × 60.96 cm).
Installation view of 2018-2019 Visual and Environmental Studies Visiting Faculty, Carpenter Center for the Visual Arts at Harvard University, Cambridge, 2018.
Installation view of James and Audrey Foster Prize Exhibition, ICA, Boston, 2017.
Installation view of James and Audrey Foster Prize Exhibition, ICA, Boston, 2017.
Installation view of James and Audrey Foster Prize Exhibition, ICA, Boston, 2017.
cupping the hand behind the ear, 2016, oil on marine plywood, 64 x 132 inches
Installation View, cupping the hand behind the ear, Simone Subal Gallery, 2016
Installation View, cupping the hand behind the ear, Simone Subal Gallery, 2016
Kneeling Sculpture, 2016, oil on marine plywood, 48 x 32 inches
Forward, Pause, Play, MIT List Visual Arts Center, Cambridge, MA 2014
Knights Move Thinking/Physics Rocks, 2013, Oil on marine plywood, Xerox copy on plywood, hinges, 65 x 46 inches (Side B)
Knights Move Thinking/Physics Rocks, 2013, Oil on marine plywood, Xerox copy on plywood, hinges, 65 x 46 inches (Side A)
The Event We Call Seeing, Simone Subal Gallery, New York, NY 2013
The Event We Call Seeing, Simone Subal Gallery, New York, NY 2013
Silver Screen, 2014, oil on marine plywood, green LEDS, 64 x 82 inches
The Angle of the Sun's Rays, Simone Subal Gallery, New York, NY 2012
The Angle of the Sun's Rays, Simone Subal Gallery, New York, NY 2012
Yellow Red Magenta Blue, Oil on plywood, 15 15/16 x 19 7/8 inches 2011
Graphic Gradient, 2012, Oil and spray on canvas, 80 x 62 inches
The Reader, T293, Rome, Italy 2011
The Reader, T293, Rome, Italy 2011
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Sonia Almeida was born in 1978 in Lisbon, Portugal. She lives and works in Boston, MA. Solo exhibitions include: Simone Subal Gallery, New York, NY (2019, 2016, 2014, 2012); MIT List Visual Arts Center, Cambridge, MA (2014); T293, Rome, Italy (2011); Chiado 8, Culturgest, Lisbon, Portugal (2009); Croxhapox, Gent, Belgium (2009). Group shows include: Museu Julio Pomar, Lisbon, Portugal (2021, forthcoming); Leslie University, Cambridge (2019); Tufts University Art Galleries, Boston (2019); Carpenter Center for the Visual Arts at Harvard University, Cambridge (2018); ICA, Boston (2017); The Serralves Museum of Contemporary Art, Porto, Portugal (2016); Simone Subal Gallery, New York, NY (2016); Serralves Museum, Oporto, Portugal (2014); DeCordova Biennial, deCordova Sculpture Park and Museum, Boston, MA (2013); Carl Freedman Gallery, London, UK (2012); Marianne Boesky Gallery, New York, NY; Muzeul National de Arta Cluj-Napoca, Romania (2012); Prague Biennale 5, Prague, Czech Republic (2011); Centrum Sztuki Współczesnej Zamek Ujazdowski, Warsaw, Poland (2011); Portugal Arte 10, Lisbon (2010); Southfirst Gallery, Brooklyn, New York (2010); EDP Novos Artistas, Lisbon, Portugal (2009); Standard (OSLO), Norway (2006).
