Simone Subal Gallery

Installation view, Standard Error (SE), Tørreloft, Copenhagen, Denmark, 2020.

Pockets and Lies (detail), 2020. Fabric piece (cotton, wool, polyester, paper) with drawings oil on paper and woodcut prints. 88 × 103 inches (223.52 × 261.62 cm). Dimensions variable.

Installation view, Vantage Points: Sonia Almeida, Heidi Norton, Claudia Peña Salinas, and Letha Wilson, Grimm, New York, NY, 2020.

Sonia Almeida. B minor, 2020. Permanent pen and oil on gessoed paper. 20 × 15 inches (50.80 × 38.10 cm).

Sonia Almeida. Counter-clockwise, 2020. Permanent pen and oil on gessoed paper. 21 ½ × 17 ¼ inches (54.61 × 43.82 cm).

Reverse timeline, 2019. Printed fabric, screen print, cotton and wool, metal mechanism. Installed dimensions: 54 × 40 × 18 inches (137.16 × 101.60 × 45.72 cm). Photo: Dario Lasagni.

Sonia Almeida. Pointing finger, 2020 (detail). Permanent pen and oil on gessoed paper. 19 ¾ × 14 inches (50.17 × 35.56 cm).

Installation view, Liste 2019: Sonia Almeida and Baseera Khan, LISTE, Basel

Raw Data, 2019. Oil on plywood, aluminum frame.
32 × 24 inches (81.28 × 60.96 cm). Photo: Dario Lasagni. — Raw Data, 2019. Oil on plywood, aluminum frame. 32 × 24 inches (81.28 × 60.96 cm). Photo: Dario Lasagni.

Jelly Legs, 2019. Oil on plywood, aluminum frame. 48 × 32 inches (121.92 × 81.28 cm). Photo: Dario Lasagni.

Installation view of Perpetual dizziness, Simone Subal Gallery, New York, 2019. Photo: Dario Lasagni.

The disease of efficiency, 2018. Oil on aluminum and plywood, sliding mechanism. Open: 32 × 41 ½ inches (81.28 × 105.41 cm). Closed: 32 × 21 ½ inches (81.28 × 54.61 cm).

Predictive Coding, 2018. Oil and permanent marker on gessoed paper. 21 × 14 ½ inches (53.34 × 36.83 cm).

Face formation, 2018. Oil on marine plywood. 32 × 24 inches (81.28 × 60.96 cm).

Installation view of 2018-2019 Visual and Environmental Studies Visiting Faculty, Carpenter Center for the Visual Arts at Harvard University, Cambridge, 2018.

44 Sounds/ Sunshine Gate, 2018. Oil on plywood. 31 × 23 inches (78.74 × 58.42 cm).

44 Sounds/ Double Curtain, 2018. Oil on plywood. 48 × 32 inches (121.92 × 81.28 cm).

Installation view of James and Audrey Foster Prize Exhibition, ICA, Boston, 2017.

cupping the hand behind the ear, 2016, oil on marine plywood, 64 x 132 inches

Installation View, cupping the hand behind the ear, Simone Subal Gallery, 2016

Kneeling Sculpture, 2016, oil on marine plywood, 48 x 32 inches

Forward, Pause, Play, MIT List Visual Arts Center, Cambridge, MA 2014

Knights Move Thinking/Physics Rocks, 2013, Oil on marine plywood, Xerox copy on plywood, hinges, 65 x 46 inches (Side B)

Knights Move Thinking/Physics Rocks, 2013, Oil on marine plywood, Xerox copy on plywood, hinges, 65 x 46 inches (Side A)

The Event We Call Seeing, Simone Subal Gallery, New York, NY 2013

Silver Screen, 2014, oil on marine plywood, green LEDS, 64 x 82 inches

The Angle of the Sun's Rays, Simone Subal Gallery, New York, NY 2012

Yellow Red Magenta Blue, Oil on plywood, 15 15/16 x 19 7/8 inches 2011

Graphic Gradient, 2012, Oil and spray on canvas, 80 x 62 inches

Sonia Almeida was born in 1978 in Lisbon, Portugal. She lives and works in Boston, MA. Solo exhibitions include: Simone Subal Gallery, New York, NY (2019, 2016, 2014, 2012); MIT List Visual Arts Center, Cambridge, MA (2014); T293, Rome, Italy (2011); Chiado 8, Culturgest, Lisbon, Portugal (2009); Croxhapox, Gent, Belgium (2009). Group shows include: Museu Julio Pomar, Lisbon, Portugal (2021, forthcoming); Leslie University, Cambridge (2019); Tufts University Art Galleries, Boston (2019); Carpenter Center for the Visual Arts at Harvard University, Cambridge (2018); ICA, Boston (2017); The Serralves Museum of Contemporary Art, Porto, Portugal (2016); Simone Subal Gallery, New York, NY (2016); Serralves Museum, Oporto, Portugal (2014); DeCordova Biennial, deCordova Sculpture Park and Museum, Boston, MA (2013); Carl Freedman Gallery, London, UK (2012); Marianne Boesky Gallery, New York, NY; Muzeul National de Arta Cluj-Napoca, Romania (2012); Prague Biennale 5, Prague, Czech Republic (2011); Centrum Sztuki Współczesnej Zamek Ujazdowski, Warsaw, Poland (2011); Portugal Arte 10, Lisbon (2010); Southfirst Gallery, Brooklyn, New York (2010); EDP Novos Artistas, Lisbon, Portugal (2009); Standard (OSLO), Norway (2006).