Simone Subal Gallery

window grate, partially drained, 2019. aluminum security grate, fused silica ceramic shell. 25 ½ × 25 ½ × 5 ½ inches (64.77 × 64.77 × 13.97 cm). Photo: Dario Lasagni.

mooring bollard, partially drained (a), 2019. aluminum bollard, fused silica ceramic shell, extruded hollow core kiln shelf. 30 × 30 × 30 inches (76.20 × 76.20 × 76.20 cm). Photo: Dario Lasagni.

tapered bollard, partially drained (b), 2019. aluminum bollard, fused silica ceramic shell, extruded hollow core kiln shelf. 37 ¾ × 30 × 30 inches (95.89 × 76.20 × 76.20 cm). Photo: Dario Lasagni.

Bronze Glove, 2019. Cast bronze. 15 × 12 ½ × 11 inches (38.10 × 31.75 × 27.94 cm). Photo: Dario Lasagni.

Installation view from Glass Age, Helena Anrather, New York, NY, 2019.

3/8” chain, draped, partially drained, 2018. Fused silica ceramic shell, non- ferrous aluminum chain. 64 ¾ × 12 × 17 inches.

Black limestone glove, 2018. Champlain Black limestone. 15 × 17 × 12 inches.

Stormwater pipe, 8” offcut, partially drained, 2017. Aluminum culvert pipe, fused silica. 16 ½ × 17 × 11 inches (41.91 × 43.18 × 27.94 cm).

Stormwater pipe, 14” offcut, partially drained, 2017. Aluminum culvert pipe, fused silica. 16 ¾ × 16 ½ × 17 inches (42.55 × 41.91 × 43.18 cm).

Late Morning, Early Spring, 2014, cement board, aluminum
2 panels: 36 x 60 x 2.5 inches — Late Morning, Early Spring, 2014, cement board, aluminum 2 panels: 36 x 60 x 2.5 inches

Installation view of Frieze New York, with Simone Subal Gallery, 2016.

Installation view of There is No Fact of the Matter as to Whether or Not P, 247365, New York, 2015.

Late morning, last September, 2015. Cast iron pipe, fittings, compressed air. 4 x 8 x 96 inches. Detail.

Modular system for grocery checkout divider bars, 2015. Custom hardware, stolen grocery dividers. 18 x 18 x 60 inches.

70% copper, 30% nickel, 2015, cast bronze alloy, medal detector, 12 x 9 x 55 inches.

70% copper, 30% nickel, 2015, cast bronze alloy, medal detector, 12 x 9 x 55 inches. Detail.

Installation view of Art Basel Miami Beach, with Simone Subal Gallery, 2014.

Installation view of The machine in the ghost, Simone Subal Gallery, New York, 2014.

Optotype 3, 2014, brownstone, 22 5/16 x 21 ¾ x5 ¼ inches.

Live and dead knots Mach/ April 2014 , 2014,
Engineered wood panel, maple, eastern white pine knots, 48 x 96 x 7/8 inches — Live and dead knots Mach/ April 2014 , 2014, Engineered wood panel, maple, eastern white pine knots, 48 x 96 x 7/8 inches

Installation view of On the beach , Real Art Ways Gallery, Hartford, CT, 2013.

A tripod and a tetrapod, 2011, 60” x 36” x 36”, modified tripod, digital SLR camera, image

Installation view of The Passenger Position, Reference Gallery, Richmond, VA, 2011.

Dolos, a tetrapod, 2011, 102” x 72” x 72”, plywood, auto primer, wax.

The passenger position, 2011, Installation, dimensions variable, Station wagon, lapstrake rowboat, plywood.

The passenger position, 2011, Installation, dimensions variable, Station wagon, lapstrake rowboat, plywood (detail).

Treadmill and clock, 2010. Steel, wood, PVC, electronics, motors. 72 x 24 x 60 inches.

Installation view of A Failed Entertainment, Virginia Commonwealth University Fine Arts Gallery, Richmond, VA
& Land of Tomorrow, Louisville, KY, 2011. — Installation view of A Failed Entertainment, Virginia Commonwealth University Fine Arts Gallery, Richmond, VA & Land of Tomorrow, Louisville, KY, 2011.

A Failed Entertainment, 2011, dimensions variable.

Lake Intervention, 2007.
Dimensions variable. — Lake Intervention, 2007. Dimensions variable.

Sam Ekwurtzel (born 1983 in Hartford, CT) works and lives in New York. Solo exhibitions include: Renderings, Simone Subal Gallery, New York, NY (2019); Room Temperature, The Richard and Dolly Maass Gallery at SUNY Purchase, NY (2019); Late Morning Early Spring, Simone Subal Gallery, New York, NY (2016); Public Sector, Simone Subal Gallery, Art Basel Miami Beach, FL (2014); Dunnage, Wellesley College, Wellesley, MA (2014); The ghost in the machine, Simone Subal Gallery, New York, NY (2014), On the beach, Real Art Ways Gallery, Hartford, CT (2013), Kinds of Light, Second Guest Projects, New York, NY (2012), The Passenger Position, Reference Gallery, Richmond, VA (2011), and Homo duplex, Reynolds Gallery, Richmond, VA (2011). Past group exhibitions include: Redirecting, Simone Subal Gallery, New York, NY (2017); The public sphere, Green Farm project, NY (2017); There is no fact in the matter as to whether P…, 247565, New York, NY (2015); Fieldwork, Curated by Nicholas Baume, Bass Museum of Art, Miami, FL (2014); Sunny in the Furnace (with Aki Sasamoto) The Kitchen, NY (2014), Cats vs. Dogs, Soloway Gallery, New York, NY (2013), Centripetal March (with Aki Sasamoto) Chocolate Factory Theater, New York, NY (2012), It’s When It’s Gone That You Really Notice It, Simone Subal Gallery (2012), A Failed Entertainment, Virginia Commonwealth University Fine Arts Gallery, Richmond, VA (2011), and A Failed Entertainment, Land of Tomorrow, Louisville, KY (2011).