Installation view of Being: New Photography, 2018, Museum of Modern Art, New York. Photo: Martin Seck.
Model for a folded room, bound girdle, 2017. UV printed MDF, PVA size, Plexiglas, screws. 23 ½ × 28 ¼ × 7 inches. Photo: Martin Seck.
Installation view of Picture Fiction: Kenneth Josephson and Contemporary Photography, The Museum of Contemporary Art, Chicago, 2018. Photo: Nathan Keay.
Tawny split, delay, 2018. Inkjet print and UV printed mat board in aluminum frame. 20 × 14 inches (50.80 × 35.56 cm).
Installation view of B. Ingrid Olson & Robert Overby, Jessica Silverman Gallery, San Francisco, 2018.
Corset, Urn, 2018. Inkjet print and UV printed mat board in aluminum frame.
30 × 21 inches (76.20 × 53.34 cm).
Installation view of Lost Without Your Rhythm, The Aspen Art Museum, Aspen, 2018.
Installation view of Lost Without Your Rhythm, The Aspen Art Museum, Aspen, 2018.
If taken turning, endless house, brain, 2017. Plywood, glue, PVA size, acrylic, vinyl paint and sand on polyurethane foam. 7 x 10 x 10 inches (17.78 x 25.40 x 25.40 cm).
If taken turning, endless house, brain, 2017. Plywood, glue, PVA size, acrylic, vinyl paint and sand on polyurethane foam. 7 x 10 x 10 inches (17.78 x 25.40 x 25.40 cm).
From her come a gang and a run, 2016. Silver gelatin print and UV printed mat board in aluminum frame. 12 x 19 inches (30.48 x 48.26 cm).
Red lead resin flush, 2016. Inkjet print and UV printed mat board in aluminum frame. 14 x 20 inches (35.56 x 50.80 cm).
Mutilation, self delay, 2016. Inkjet print and UV printed mat board in aluminum frame. 24 x 16.5 inches (60.96 x 41.91 cm).
Installation view of Art Basel Miami Beach with Simone Subal Gallery, 2015.
Touched her hem, biting my own tail, 2015. Inkjet print and UV printed mat board in aluminum frame. 18 x 27 inches (46 x 68.5 cm).
silver, steel, leather, oil, years, 2015. Wood, mat board, polyurethane foam, flashe paint, silver gelatin print, inkjet prints, linen tape, Plexiglas. 16 x 12 x 3 inches.
Installation view of Frieze New York with Simone Subal Gallery, 2015.
Installation view of Frieze New York with Simone Subal Gallery, 2015.
A big round room with a high arched roof, 2015. Inkjet print and UV printed mat board in aluminum frame. 24 x 17 inches.
Perfect Spectator and Sex Question, 2015. Inkjet print and UV printed mat board in aluminum frame. 21 x 14.5 inches.
Installation view of double-ended arrow, Simone Subal Gallery, New York, 2015.
double-ended arrow, Simone Subal Gallery, New York, 2015
Axiomatic, fingered and bent, 2014. Dye-sublimation print on aluminum, c-prints, found metal object, aluminum, acrylic ink, plexiglas frame.
22 x 34 x 2 1/4 inches.
Installation view of The vases my monitors their frames, Cura.Basement, Rome, 2014.
Installation view of From her come a gang and a run, Document, Chicago, 2013.
How to... (For Andrew Berardini), 2014. Inkjet print, laser print, and UV printed matboard in aluminum frame. 25 x 17.5 inches.
No eternity, only recognition of self delay, 2013. C-print, UV printed matboard and acrylic on metallic paper in Plexiglas frame. 22.5 x 16.5 x 1.25 inches.
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B. Ingrid Olson was born in 1987 in Denver, Colorado. She currently lives and works in Chicago, Illinois. Recent solo and two-person exhibitions include i8 Gallery, Reykjavík, Iceland (2019); Forehead and Brain, Albright-Knox Art Gallery, Buffalo NY (2018); Kiss the architect on the mouth, Simone Subal Gallery, New York (2018); B. Ingrid Olson & Robert Overby, Jessica Silverman Gallery, San Francisco (2018); KLEIN/OLSON, The Renaissance Society, Chicago (2017); double-ended arrow, Simone Subal Gallery, New York (2015); The vases my monitors their frames, cura.basement, Rome, (2014); and From her come a gang and a run, Document, Chicago (2014). Select group exhibitions include: Being: New Photography, The Museum of Modern Art, New York (2018); Picture Fiction: Kenneth Josephson and Contemporary Photography, The Museum of Contemporary Art, Chicago (2018); Lost Without Your Rhythm, The Aspen Art Museum, Aspen (2018); Seeing Believing Having Holding, organized by Dan Byers, i8 Gallery, Reykjavik (2018); The problem with having a body / is that it always needs to be somewhere, The Approach, London (2017); and We seem to still be moving, Simone Subal Gallery, New York, NY (2013).
