Simone Subal Gallery

  • Installation view of Perpetual dizziness, Simone Subal Gallery, New York, 2019. Photo: Dario Lasagni.
  • Installation view of Perpetual dizziness, Simone Subal Gallery, New York, 2019. Photo: Dario Lasagni.
  • Installation view of Perpetual dizziness, Simone Subal Gallery, New York, 2019. Photo: Dario Lasagni.
  • Installation view of Perpetual dizziness, Simone Subal Gallery, New York, 2019. Photo: Dario Lasagni.
  • The disease of efficiency, 2018. Oil on aluminum and plywood, sliding mechanism. Open: 32 × 41 ½ inches (81.28 × 105.41 cm). Closed: 32 × 21 ½ inches (81.28 × 54.61 cm).
  • Predictive Coding, 2018. Oil and permanent marker on gessoed paper. 21 × 14 ½ inches (53.34 × 36.83 cm).
  • Face formation, 2018. Oil on marine plywood. 32 × 24 inches (81.28 × 60.96 cm).
  • Installation view of 2018-2019 Visual and Environmental Studies Visiting Faculty, Carpenter Center for the Visual Arts at Harvard University, Cambridge, 2018.
  • 44 Sounds/ Sunshine Gate, 2018. Oil on plywood. 31 × 23 inches (78.74 × 58.42 cm).
  • 44 Sounds/ Double Curtain, 2018. Oil on plywood. 48 × 32 inches (121.92 × 81.28 cm).
  • Installation view of James and Audrey Foster Prize Exhibition, ICA, Boston, 2017.
  • Installation view of James and Audrey Foster Prize Exhibition, ICA, Boston, 2017.
  • Installation view of James and Audrey Foster Prize Exhibition, ICA, Boston, 2017.
  • cupping the hand behind the ear, 2016, oil on marine plywood, 64 x 132 inches
  • Installation View, cupping the hand behind the ear, Simone Subal Gallery, 2016
  • Installation View, cupping the hand behind the ear, Simone Subal Gallery, 2016
  • Kneeling Sculpture, 2016, oil on marine plywood, 48 x 32 inches
  • Forward, Pause, Play, MIT List Visual Arts Center, Cambridge, MA 2014
  • Knights Move Thinking/Physics Rocks, 2013, Oil on marine plywood, Xerox copy on plywood, hinges, 65 x 46 inches (Side B)
  • Knights Move Thinking/Physics Rocks, 2013, Oil on marine plywood, Xerox copy on plywood, hinges, 65 x 46 inches (Side A)
  • The Event We Call Seeing, Simone Subal Gallery, New York, NY 2013
  • The Event We Call Seeing, Simone Subal Gallery, New York, NY 2013
  • Silver Screen, 2014, oil on marine plywood, green LEDS, 64 x 82 inches
  • The Angle of the Sun's Rays, Simone Subal Gallery, New York, NY 2012
  • The Angle of the Sun's Rays, Simone Subal Gallery, New York, NY 2012
  • Yellow Red Magenta Blue, Oil on plywood, 15 15/16 x 19 7/8 inches 2011
  • Graphic Gradient, 2012, Oil and spray on canvas, 80 x 62 inches
  • The Reader, T293, Rome, Italy 2011
  • The Reader, T293, Rome, Italy 2011
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Sonia Almeida was born in 1978 in Lisbon, Portugal. She lives and works in Boston, MA. Solo exhibitions include: Simone Subal Gallery, New York, NY (2019); Simone Subal Gallery, New York, NY (2016); MIT List Visual Arts Center, Cambridge, MA (2014); Simone Subal Gallery, New York, NY (2012) (2014); T293, Rome, Italy (2011); Chiado 8, Culturgest, Lisbon, Portugal (2009); Croxhapox, Gent, Belgium (2009). Group shows include: Carpenter Center for the Visual Arts at Harvard University, Cambridge (2018); ICA, Boston (2017); The Serralves Museum of Contemporary Art, Porto, Portugal (2016); Simone Subal Gallery, New York, NY (2016); Serralves Museum, Oporto, Portugal (2014); DeCordova Biennial, deCordova Sculpture Park and Museum, Boston, MA (2013); Plentitude, Carl Freedman Gallery, London, UK (2012); a project by Lucie Fontaine, Marianne Boesky Gallery, New York, NY; Modern Talking, Muzeul National de Arta Cluj-Napoca, Romania (2012); Painting Overall, Prague Biennale 5, Prague, Czech Republic (2011); Four Rooms, Centrum Sztuki Współczesnej Zamek Ujazdowski, Warsaw, Poland (2011); Personal Freedom, Portugal Arte 10, Lisbon (2010); Acts Are For Actors, Southfirst Gallery, Brooklyn, New York (2010); EDP Novos Artistas, Lisbon, Portugal (2009); The Elementary Particles (Paperback Edition), Standard (OSLO), Norway (2006).