Simone Subal Gallery

  • Florian Meisenberg, The Taste of Metal in Water, Ghebaly Gallery, 2018.
  • Florian Meisenberg, The Taste of Metal in Water, Ghebaly Gallery, 2018
  • Florian Meisenberg, The Taste of Metal in Water, Ghebaly Gallery, 2018
  • Florian Meisenberg. From the series: "San Pellegrino (The taste of metal in water)”. Oil on canvas. 96 × 84 inches (243.84 × 213.36 cm).
  • Florian Meisenberg, In Flames Leaving Las Vegas, Simone Subal Gallery, 2018. Photo: Dario Lasagni.
  • Florian Meisenberg, In Flames Leaving Las Vegas, Simone Subal Gallery, 2018. Photo: Dario Lasagni.
  • Florian Meisenberg, In Flames Leaving Las Vegas, Simone Subal Gallery, 2018. Photo: Dario Lasagni.
  • Florian Meisenberg. In Flames Leaving Las Vegas (Sphinx), 2018. Cat: pigment printed CnC cut plexiglas, rear projection Topographical models: CnC cut MDF, transparent resin. 56 ½ × 33 × 26 ½ inches (143.51 × 83.82 × 67.31 cm). Photo: Dario Lasagni.
  • Florian Meisenberg, Schirn Kunsthalle, Frankfurt, 2016.
  • Florian Meisenberg. From the Series: I don't think he knows how to turn on a computer (brief pause), 2016. oil paint, oil stick, and iridescent acrylic paint on canvas. 54.7 × 54.7 inches (138.94 × 138.94 cm).
  • Florian Meisenberg. Napoleon Complex, 2016. oil paint, oil stick, and airbrush on canvas. 72 ½ × 60 inches (184.15 × 152.40 cm).
  • Florian Meisenberg. To be titled, 2016. oil paint, iridescent acrylic paint, and airbrush on canvas. 72 × 58 inches (182.88 × 147.32 cm).
  • Florian Meisenberg & Anna K.E., Countdown Belladonna, Salon Kennedy, Frankfurt, Germany, 2016.
  • Florian Meisenberg & Anna K.E., Countdown Belladonna, Salon Kennedy, Frankfurt, Germany, 2016.
  • Florian Meisenberg, Kunstpalais Erlangen, Germany, 2015.
  • Florian Meisenberg, Kunstpalais Erlangen, Germany, 2015.
  • Florian Meisenberg, Battery Life, Planthouse, New York, 2015.
  • Florian Meisenberg, Battery Life, Planthouse, New York, 2015.
  • Florian Meisenberg, Battery Life, Planthouse, New York, 2015.
  • Florian Meisenberg & Anna KE, Late Checkout, Signal, New York.
  • Florian Meisenberg, The New World Hotel, Kasseler Kunstverein, 2014.
  • Florian Meisenberg, Furthermore, all the windows looked onto the courtyard and - from scarcely any distance - onto other windows of the same style, 2014, single-channel video, 46' 54".
  • Florian Meisenberg, The New World Hotel, Kasseler Kunstverein, 2014.
  • Florian Meisenberg, The New World Hotel, Kasseler Kunstverein, 2014.
  • Florian Meisenberg, Florian Meisenberg, ‘From the series: memoirs of the collective unconscious (a snail gets mugged by a gang of turtles. When the cops show up and ask him what happened he replies ‘I don’t know. It all happened so fast’, 2013, oil on canvas, 200 x 180 cm.
  • Florian Meisenbergm ‘From the series: memoirs of the collective unconscious (a snail gets mugged by a gang of turtles. When the cops show up and ask him what happened he replies ‘I don’t know. It all happened so fast’., 2013, oil on canvas, 235 x 215 cm.
  • Florian Meisenberg, The New World Hotel, Kasseler Kunstverein, 2014.
  • Florian Meisenberg, Being blonde with insufficient funds (transpirations of a virgin), Mendes Wood, Sao Paolo, Brazil, 2014.
  • Florian Meisenberg, Being blonde with insufficient funds (transpirations of a virgin), Mendes Wood, Sao Paolo, Brazil, 2014.
  • Florian Meisenberg, Being blonde with insufficient funds (transpirations of a virgin), Mendes Wood, Sao Paolo, Brazil, 2014.
  • Florian Meisenberg, Delays During Transit: Tales of Early Prematurity, installation view, Kate MacGarry, 2013.
  • Florian Meisenberg, Delays During Transit: Tales of Early Prematurity, installation view, Kate MacGarry, 2013.
  • Florian Meisenberg, Delays During Transit: Tales of Early Prematurity, installation view, Kate MacGarry, 2013.
  • Florian Meisenbergm ‘From the series: memoirs of the collective unconscious (a snail gets mugged by a gang of turtles. When the cops show up and ask him what happened he replies ‘I don’t know. It all happened so fast’., 2013, oil on canvas, 180 x 162 cm.
  • Florian Meisenbergm ‘From the series: memoirs of the collective unconscious (a snail gets mugged by a gang of turtles. When the cops show up and ask him what happened he replies ‘I don’t know. It all happened so fast’., 2013, oil on canvas, 200 x 180 cm.
  • Florian Meisenbergm ‘From the series: memoirs of the collective unconscious (a snail gets mugged by a gang of turtles. When the cops show up and ask him what happened he replies ‘I don’t know. It all happened so fast’., 2013, oil on canvas, 180 x 162 cm.
  • Florian Meisenberg, Oh, Ah Rimbaud, Rimbaud, 2013, single-channel video, 3.53 mins, 2013, single-channel video, 3" 53'.
  • Florian Meisenberg, “GUERNICA MON AMOUR, GIVE ALL AND GET SOMETHING (POSTMODERN TRAUMA)”, 2012, single-channel video, 8'22".
  • Florian Meisenberg, Wembley, farewell my concubine, 2013, single-channel video, 2' 49".
  • Florian Meisenberg, http://www.youtube.com/watch?v=90RM07vHQiw, Kate MacGarry, 2011.
  • Florian Meisenberg, http://www.youtube.com/watch?v=90RM07vHQiw, Kate MacGarry, 2011.
  • Florian Meisenberg, from the series: Cosmic Experiences, 2011, oil on canvas, 245 x 200 cm
  • Florian Meisenberg, From the series: Cosmic Experiences, 2011, oil on canvas, 23 x 30.5 cm.
  • Florian Meisenberg, from the series: The Vision Of Tomorrow, Today, 2011, oil on canvas, 245 x 200 cm.
  • Florian Meisenberg, Hairy Combs, 2011, oil on unstretched canvas, 215 x 290 cm.
  • Florian Meisenberg, From the Series: It Was More Than It Was, 2011, oil on canvas, 50 x 40 cm.
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Meisenberg was born in 1980 in Berlin and he works and lives in New York. He graduated from the Kunstakademie Düsseldorf in 2010. Selected solo shows: Simone Subal Gallery, New York (2013, 2015, 2018); Avlskarl Projects, Copenhagen, Denmark (2017); Kölnischer Kunstverein, Cologne (2014); Kasseler Kunstverein, Kassel, Germany (2014); Kunst aus NRW / Förderpreis für Bildende Kunst, Ehemalige Reichsabtei, Aachen, Germany (2012); Wentrup Gallery, Berlin (2012, 2014, 2016, 2017); Wilhelm-Hack-Museum, Ludwigshafen, Germany (2011); Ludwig Forum für Internationale Kunst, Aachen, Germany (2009). Recent selected group exhibitions: neue Gesellschaft für Bildende Kunst, Berlin, Germany (2018); Zeppelin Museum, Friedrichshafen, Germany (2017); Broehan Museum, Berlin, Germany , (2017); Broehan Museum, Berlin, Germany, (2017); Kiasma Finnish National Gallery, Helsinki, Finland, (2017); Philadelphia, (Cat.) (2017); Schirn Kunsthalle, Frankfurt, (Cat.) (2016); , Kunsthalle Recklinghausen, Germany, (Cat.) (2016); Bundeskunsthalle Bonn, Bonn (2015); Kunstpalais Erlangen, Germany (2015); Kunstpalais Erlangen, Germany; Goethe Institute, Hong Kong; Ausstellung in der Sammlung Kunst aus NRW in der ehemaligen Reichsabtei Aachen-Kornelimünster, Aachen, Germany (2014); Museum Kunsten, Aalborg, Denmark (2014); Queens Museum of Art, New York, USA (2014); Grieder Contemporary, Zurich, Switzerland (2013); Galerie Parrotta Contemporary Art, Stuttgart, Germany (2013); Boros Collection II, Berlin, Germany (2012); Avlskarl Projects, Copenhagen, Denmark (2012); Solinger Kunstmuseum, Solingen, Germany (2011); New Talents Biennale 2010, Cologne, Germany (2010); Wilhelm-Hack-Museum, Ludwigshafen, Germany (2010); Kunstverein Langenhagen, Germany (2010). In 2018, Distanz published Meisenberg’s third monograph with the title: SOMEWHERE, SIDEWAYS DOWN, AT AN ANGLE, BUT VERY CLOSE