Simone Subal Gallery

  • Schoene Neue Welten, Pre-Aplha Courtyard Games (Raindrops on my cheek) curated by Ina Neddermeyer, Zeppelin Museum, Friedrichshafen, 2017. Installation view.
  • Acting & Aging (odorless journey) Avlskarl Gallery, Copenhagen, 2017. Installation view.
  • Acting & Aging (odorless journey) Avlskarl Gallery, Copenhagen, 2017. Installation view.
  • Current Upcoming Past, Murias Centeno, Lisbon, 2016
  • Current Upcoming Past, Murias Centeno, Lisbon, 2016
  • ICH, Neue Formen des Selbstportraits, Schirn Kunsthalle, Frankfurt, 2016
  • "Delivery to the following recipients failed permanently," Installation View, Simone Subal Gallery, New York, NY 2015
  • "Delivery to the following recipients failed permanently," Installation View, Simone Subal Gallery, New York, NY 2015
  • Who is it who / Who is it who / Who is it who / Who is it / What is it / What is it / What is it / What is it / Oh……Baby it’s you! / Who is it who / Who is it who / Who is it who / Who is it / What is it / What is it / What is it / What is it / Oh……Baby it’s you! / Who, who, who is it / Who, who, who is it / Who, who, who is it / Who, who, who is it / Who, who, who is it / Who, who, who is it / Who, who, who is it / What is it / What is it / What is it / What is it / Oh……Baby it’s you!, 2015, triptych, oil paint and oil on canvas, 96 x 252 inches (243.8 x 640.1 cm)
  • Being blonde with insufficient funds, Mendes Wood, São Paulo, 2014
  • Being blonde with insufficient funds, Mendes Wood, São Paulo, 2014
  • From the series: 7 seas against dandruff (North Sea), 2014, oil, oilpaint, airbrush and crayons on canvas, 78 ¾ x 67 x 1 1/3 inches (200 x 170 x 3.5 cm)
  • The New World Hotel, Kasseler Kunstverein, Kassel , 2014
  • The New World Hotel, Kasseler Kunstverein, Kassel , 2014
  • Furthermore, all the windows looked onto the courtyard and - from scarcely any distance - onto other windows of the same style, behind which could be glimpsed the stately outline of new windows opening onto a second courtyard., 2014, single-channel video, 46:53 min, edition of 5; 2 AP
  • Somewhere sideways, down, at an angle, but very close, Wentrup Gallery, Berlin
  • Somewhere sideways, down, at an angle, but very close, Wentrup Gallery, Berlin
  • You are certainly entitled to this opinion, 2014, Single-channel-video, 7:40 min, edition of 5; 2 AP
  • Frieze Frame, New York, Simone Subal Gallery, 2014
  • From the series: Duty free on the cross: Doubting Thomas, 2013, Oil paint on canvas, 96 x 84 inches (244 x 213 cm)
  • Why Abstract Painting was invented, 2013, single-channel video, 6:20 min, edition of 5; 2 AP
  • Delays During Transit (Tales of Early Prematurity), Kate MacGarry, London, 2013
  • Delays During Transit (Tales of Early Prematurity), Kate MacGarry, London, 2013
  • "What did the green grape say to the purple grape? ! Breathe " (It is always forthcoming and already past), Provinz Editionen, Bochum, DE, 2013
  • the green grape, 2013, archival ink-jet print, Epson UltraChrome HDR on Cold Press Natural, 79 ½ x 44 inches (202 x 111.7 cm) signed
  • Faith so certain shall never be shaken by heaviest sorrow, Simone Subal Gallery, New York City, 2012
  • Faith so certain shall never be shaken by heaviest sorrow, Simone Subal Gallery, New York City, 2012
  • From the series: Continental Breakfast, Overmorrow at Noon, 2013 oil and oil paint on canvas 84 x 72 inches (213.4 x 182.8 cm)
  • Glitches & Corruption (A MOST HONORABLE MAN< ACCORDING TO HIMSELF; A as in Adam, B as in Bushwick, C as in Centrifugal-Masticating-Jucier), 2013, oil paint on dish towel, 23 ½ x 16 inches (60 x 40 cm)
  • ABC, Berlin, 2012
  • From the series: Of Being & Becoming (What did the green grape say to the purple grape? Breathe!), 2012, oil and oil paint on canvas, 98 ½ x 82 ½ inches (250 x 210 cm)
  • Magic Moments of Homeopathy, vol 1 (the trauma of creative man) Tanja Pol Galerie, Munich, 2012
  • NRW Foerderpreisausstellung, Alte Reichsabtei, Aachen Kornelimuenster, Germany, 2012
/

Meisenberg was born in 1980 in Berlin and he works and lives in New York. He graduated from the Kunstakademie Düsseldorf in 2010. Selected solo shows: Simone Subal Gallery, New York (2013, 2015, 2018); Avlskarl Projects, Copenhagen, Denmark (2017); Kölnischer Kunstverein, Cologne (2014); Kasseler Kunstverein, Kassel, Germany (2014); Kunst aus NRW / Förderpreis für Bildende Kunst, Ehemalige Reichsabtei, Aachen, Germany (2012); Wentrup Gallery, Berlin (2012, 2014, 2016, 2017); Wilhelm-Hack-Museum, Ludwigshafen, Germany (2011); Ludwig Forum für Internationale Kunst, Aachen, Germany (2009). Recent selected group exhibitions: neue Gesellschaft für Bildende Kunst, Berlin, Germany (2018); Zeppelin Museum, Friedrichshafen, Germany (2017); Broehan Museum, Berlin, Germany , (2017); Broehan Museum, Berlin, Germany, (2017); Kiasma Finnish National Gallery, Helsinki, Finland, (2017); Philadelphia, (Cat.) (2017); Schirn Kunsthalle, Frankfurt, (Cat.) (2016); , Kunsthalle Recklinghausen, Germany, (Cat.) (2016); Bundeskunsthalle Bonn, Bonn (2015); Kunstpalais Erlangen, Germany (2015); Kunstpalais Erlangen, Germany; Goethe Institute, Hong Kong; Ausstellung in der Sammlung Kunst aus NRW in der ehemaligen Reichsabtei Aachen-Kornelimünster, Aachen, Germany (2014); Museum Kunsten, Aalborg, Denmark (2014); Queens Museum of Art, New York, USA (2014); Grieder Contemporary, Zurich, Switzerland (2013); Galerie Parrotta Contemporary Art, Stuttgart, Germany (2013); Boros Collection II, Berlin, Germany (2012); Avlskarl Projects, Copenhagen, Denmark (2012); Solinger Kunstmuseum, Solingen, Germany (2011); New Talents Biennale 2010, Cologne, Germany (2010); Wilhelm-Hack-Museum, Ludwigshafen, Germany (2010); Kunstverein Langenhagen, Germany (2010). In 2018, Distanz published Meisenberg’s third monograph with the title: SOMEWHERE, SIDEWAYS DOWN, AT AN ANGLE, BUT VERY CLOSE