Born 1973, East Newark, New Jersey
Lives and works in Los Angeles, CA
2003 MFA, California Institute of the Arts, Valencia, CA
1996 BFA, New York University, New York, NY
Slug, Simone Subal Gallery, NYC
Overduin & Co, Los Angeles, CA (forthcoming)
Speech Mesh – Drawn Off curated by Andrew Bonacina and Celine Kopp, The Hepworth Wakefield Museum, West Yorkshire, UK; Triangle France, Marseilles, France
Stranger Debris Roll Roll Roll, curated by Jenny Moore and Margot Norton, The New Museum, New York, NY
The Engraved Plane, Simone Subal Gallery, New York, NY
Geometric Persecution, Overduin and Kite, Los Angeles, CA
Secret Traveler Navigator, curated by Juli Carson, Room Gallery, University of California at Irvine, Irvine, CA
Motor Post Motor Band Disband, Mesler & Hug, Los Angeles, CA
Group exhibitions / screenings (selection)
Reconstructions: Recent Photographs and Video from the Met Collection, The Metropolitan Museum of Art, New York, NY
A kind of graphic unconscious, Susan Hobbs Gallery, Toronto, Canada
Warm Side of Zero, with Rob Halverson, curated by Rob Halverson,Overduin & Co, Los Angeles CA
Spheres of Glass, University of California, San Diego, CA
Everything and All of That, Simone Subal Gallery, New York, NY
Purple Glass, Overduin and Kite, Los Angeles, CA
Gap, Mark, Sever, and Return, Human Resources, Los Angeles, CA
End Things, Portland Institute of Contemporary Art, Portland, OR
Made in LA 2012, Hammer Museum, Los Angeles, CA
==, curated by Matt Keegan, MFC – Michèle Didier, Paris, France
M., Night Gallery, Los Angeles, CA
Image Transfer: Pictures in a Remix Culture, curated by Sara Krajewski, Newcomb Art Gallery, Tulane University, New Orleans, LA
The Future of the Photography Museum, curated by Lauren Cornell, Foam, Amsterdam, Netherlands
The Air We Breathe, organized by Aspara DiQuinzio, San Francisco Museum of Modern Art, San Francisco, CA
Collapse Into Image, curated by Madison Brookshire, REDCAT, Los Angeles, CA
Kaleidoscope ARENA, video program curated by Joanna Fiduccia, Rome, Italy
Progression Minus Progress, curated by Sarah Lehrer-Graiwer, Romer Young Gallery, San Francisco, CA
Image Transfer: Pictures in a Remix Culture, curated by Sara Krajewski, Henry Art Gallery, Seattle, WA
Swagger, Drag, Fit Together, Wallspace, New York, NY
75th Whitney Biennial, curated by Francesco Bonami and Gary Carrion-Murayari, Whitney Museum of American Art, New York, NY
The Awful Parenthesis, curated by Aram Moshayedi, Cirrus Gallery, Los Angeles, CA
Migrating Forms, Anthology Film Archives, New York, NY
Common Ground: Four Films, Los Angeles Filmforum, curated by Thom Anderson, Los Angeles, CA
A Twilight Art, curated by Lisa Oppenheim and Jessie Washburne-Harris, Harris Lieberman, New York, NY
California Biennial, curated by Lauri Firstenberg, Orange County Museum of Art, Newport Beach, CA
Imaginary Thing, curated by Peter Eleey, Aspen Art Museum, Aspen, CO
The World Is All That Is The Case, curated by Arthur Ou, Hudson Franklin, New York, NY
Films Around Photography, curated by James Welling, Billy Wilder Theater, Hammer Museum, Los Angeles, CA
Les Temps modernes: collection du Frac Bretagne, Centre d’art contemporain, Bignan, France
Shared Women, curated by Eve Fowler, Amy Steiner, and Emily Roysdon, LACE, Los Angeles, CA
Film as Event, curated by Sharon Lockhart, Artists Cinema, Frieze Art Fair, London, UK
Bunch Alliance and Dissolve, curated by Public Holiday Projects, Contemporary Arts Center, Cincinnati, OH
The Fantasy of Failed Utopias and a Girl’s Daydream, curated by Susanne Winterling, State Center of Contemporary Art, Moscow, Russia, Stedelijk Museum CS, Kuenstlerhaus Stuttgart, Galerie
Tomorrowland: CalArts in Moving Pictures, curated by Joshua Siegel, Museum of Modern Art, New York, NY
Imaginer Los Angeles, curated by Dorothee Deyries, Centre Pompidou, Paris, France
Artist Theater Program, curated by Charles Aubin, Performa, NY, NY; traveled to ICA Miami, Miami, FL
Artist Theater Program, curated by Victoria Brooks, EMPAC /Experimental Media and Performing Arts Centre at Rensselaer Polytechnic Institute (Catalogue forthcoming)
Darker Imposter, co-commissioned by Frieze Foundation and EMPAC / Experimental Media and Performing Arts Centre at Rensselaer Polytechnic Institute
Field of Debris, Commissioned by Kristan Kennedy, TBA, Portland Institute of Contemporary Art, Portland, OR
Doran, Anne. “Erika Vogt”, ArtNews, September 2015, p. 82.
Putnam, Adam, “Artists at Work: Erika Vogt”, Afterall, April 10.
Wise, Lloyd, “Erika Vogt: New Museum,” Artforum, November, p.291, ill.
Creahan, Daniel, “New York – Erika Vogt: ‘Stranger Debris Roll Roll Roll’ at the New Museum,” Art Observed, September 6.
Grabarcyk, Jen and Vogt, Erika, “Stranger Debris Roll Roll Roll,” Theotherjournal.com, August 12.
O’Neill-Butler, Lauren, “Erika Vogt: New Museum,” Artforum.com Critics’ Picks
Russeth, Andrew, “Erika Vogt: ‘Stranger Debris Roll Roll Roll’ at the New Museum,” GalleristNY.com, posted September 3
Moore, Jenny and Margot Norton, “Erika Vogt: Stranger Debris Roll Roll Roll”, The New Museum, New York, NY (mini-catalogue)
Wagley, Catherine, “Five Artsy Things to Do in L.A. This Week,” LA Weekly, March 13
End Things, interview by Kristan Kennedy, published by Portland Institute for Contemporary Art, Portland, OR, pp. 20-22, ill.
MADE IN L.A., essay by Corinna Peipon, published by Hammer Museum, Los Angeles, CA, pp. 50, 79-82, ills.
Bass, Math, “Take the fire and leave the rest,” ==, published by MFC – Michèle Didier, Brussels, Belgium
Miller, John, “Erika Vogt’s Geometric Persecution,” ==, published by MFC – Michèle Didier, Brussels, Belgium
Cornell, Lauren, “4 Curators 4 Visions 4 Presentations 1 Museum,” Foam Magazine, Issue 29,
Winter 2011, p.91.
“The Air We Breathe: Artists and Poets Reflect on Marriage Equality”, published by San Francisco Museum of Modern Art, San Francisco, CA, p. 100-101, ills.
Ned Holte, Michael, “Reviews: ‘ACP,’ Parker Jones,” Artforum, March, pp. 275-276.
Gärtner, Barbara, “Künstler, die uns aufgefallen sind: Erika Vogt,” Monopol, December.
Motley, John, “Critics’ Picks,” Artforum.com, November.
Carson, Juli, Erika Vogt’s Secret Traveler Navigator, Room Gallery, University of California at Irvine, Irvine, CA. (brochure)
Krajewski, Sara, Image Transfer: Pictures in a Remix Culture, published by Henry Art Gallery, University of Washington, Seattle, pp. 87-89, ills. (catalogue)
Moshayedi, Aram, “Critics’ Picks,” Artforum.com, September.
Lehrer-Graiwer, Sarah, “Balancing Bodies with Foreign Geometries,” ArtSlant.com, September 20.
Alemani, Cecilia, “Mythical Narratives,” Mousse, No. 23. Marcel, published by P & Co., ill.
Obrist, Hans Ulrich, “Erika Vogt,” Du Magazine, No. 807.
Bonami, Francesco and Gary Carrion-Muryari, eds., 2010: Whitney Biennial, published by Whitney Museum of American Art, New York, NY. (catalogue)
Firstenberg, Lauri, “2010 Looking Forward,” Frieze, January/February.
Moshayedi, Aram, “LA Roundtable: After Materiality and Style,” Art in America, April.
Vogt, Erika, “Top Ten,” Artforum, February.
Kahn, Stanya, “Artists’ Artists: Best of 2008,” Artforum, December.
Holte, Michael Ned, “Best of 2008,” Artforum, December.
Knight, Christopher, “California Biennial at the Orange County Museum of Art,” Los Angeles Times, November 4.
Taft, Catherine, “Erika Vogt,” Art Review, July/August.
Moshayedi Aram, “Erika Vogt,” Art Papers, July/August.
Myers, Holly, “Around the Galleries,” Los Angeles Times, May 23.
Fanconti, Dana and James Welling, eds., Blind Spot, Issue 37, Spring.
de Holl, Nancy and Erika Vogt, North Drive Press #4, November.
Smith, Roberta, “In These Shows, the Material is the Message,” New York Times, August 10.
Bentley, Kyle, “Associate Property,” Artforum, February.
Comer, Stuart, “Looking Back: Emerging Artists,” Frieze, January/February.
Guest Lecturer, The Banff Centre, Alberta, Canada Artist-in-Residency, Experimental Media and Performing Arts Center, Troy, NY
National Endowments for Arts Grant, Professional Development Fellowship, College Art Association, New York, NY
Hammer Museum, Los Angeles, CA
Los Angeles County Museum of Art, Los Angeles, CA
Metropolitan Museum of Art, New York, NY
Fonds régional d’art contemporain Bretagne, Rennes, France