Simone Subal Gallery

  • Emily Mae Smith, Wake Tank, 2017. Oil on linen. 51 x 67 inches
  • Emily Mae Smith, Volatile Bodies, 2016. Oil on linen. 38 x 30 inches
  • Emily Mae Smith, The Maestro, 2016. Oil on linen. 14 x 11 inches
  • "Tesla Girls," exhibition view. Rodolphe Janssen, Brussels, 2016.
  • Emily Mae Smith, "Rogue Wave," 2016. Oil on linen. 72 x 98 inches
  • "Tesla Girls," exhibition view. Rodolphe Janssen, Brussels, 2016.
  • Emily Mae Smith, "Is It Liquid," 2016. Oil on linen. 14 x 11 inches
  • Emily Mae Smith, "The Studio (Memento Mori)," 2015. Oil on canvas. 48 x 37 inches.
  • "Honest Espionage," exhibition view. Mary Mary. Glasgow, 2016.
  • "Honest Espionage," exhibition view. Mary Mary. Glasgow, 2016.
  • Emily Mae Smith, "Electric Eye," 2016. Oil on linen. 14 x 11 inches
  • Emily Mae Smith, "Satisfaction," 2016. Oil on Linen. 14 x 11 inches.
  • Emily Mae Smith, "Sign," 2015. Oil on linen. 48 x 37 inches.
  • "Untitled: Body Parts," Installation view. Simone Subal Gallery, New York, 2016.
  • Emily Mae Smith, "Paris Magazine (for Picabia)," 2013. Oil on linen. 38 x 27 inches.
  • Emily Mae Smith, "Holes," 2013. Oil on canvas. 28 x 22 inches.
  • "Medusa," Installation view. Laurel Gitlen Gallery, New York, 2015.
  • Emily Mae Smith, "Medusa," 2015. Oil on linen. 38 x 27 inches.
  • "Medusa," Installation view. Laurel Gitlen Gallery, New York, 2015.
  • Emily Mae Smith, "Waiting Room," 2015. Oil on linen. 48 x 37 inches.
  • Emily Mae Smith, "The Studio (Seance)," 2015. Oil on linen. 48 x 37 inches.
  • Emily Mae Smith, "Control," 2015. Oil on linen. 11 x 14 inches.
  • Emily Mae Smith, "Scream," 2015. Oil on Linen. 48 x 37 inches.
  • Emily Mae Smith, "The Studio (Never Tear Us Apart)," 2015. Oil on linen. 38 x 30 inches.
  • Emily Mae Smith, "Chekhov's Gun," 2015. Oil on linen. 11 x 14 inches.
  • Emily Mae Smith, "The Studio (Big Banana)," 2014. Prepared ground, watercolor, acrylic on linen. 38 x 27 inches.
  • Emily Mae Smith, "Breaking Eggs," 2014. Oil on Linen.
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Emily Mae Smith was born in 1979 in Austin Texas. She currently lives and works in Brooklyn, New York. Recent solo exhibitions include: Wadsworth Atheneum Museum of Art, Hartford, CT (2019); Le Consortium, Dijon, France (2018); CFA, Berlin, Germany (2018); Galerie Perrotin (two-person with Genesis Belanger), New York, NY (2018); Simone Subal Gallery, New York, NY (2017); SALTS (two-person exhibition with Adam Henry), Basel, Switzerland (2017); Rodolphe Janssen, Brussels, Belgium (2016); Mary Mary. Glasgow, Scotland, UK (2016); and Laurel Gitlen. New York, NY (2015). Select group exhibitions include: Peter Freeman Inc., curated by Ugo Rondinone, New York, NY (2018); Tanya Bonakdar Gallery, New York, NY (2018); Rob Tufnell and Tanya Leighton, Köln, Germany (2017); Lumber Room, Portland, OR (2017); Le Coeur, curated by Marie Maertens. Paris, France (2017); König Galerie (St. Agnes). Berlin, Germany (2016); Simone Subal Gallery. New York, NY (2016); Marlborough Chelsea. New York, NY (2015); The Moore Building, organized by Jeffrey Deitch and Larry Gagosian, Miami, FL (2015); Fourteen30 Contemporary. Portland, OR (2015); Skirball Museum. Cincinnati, OH (2014).