Simone Subal Gallery

  • Installation view at Renaissance Society
  • B
  • B. Ingrid Olson, If taken turning, endless house, brain, 2017. Plywood, glue, PVA size, acrylic, vinyl paint and sand on polyurethane foam. 7 x 10 x 10 inches (17.78 x 25.40 x 25.40 cm)
  • B. Ingrid Olson, If taken turning, endless house, brain, 2017. Plywood, glue, PVA size, acrylic, vinyl paint and sand on polyurethane foam. 7 x 10 x 10 inches (17.78 x 25.40 x 25.40 cm)
  • Installation view at Renaissance Society
  • B. Ingrid Olson. From her come a gang and a run, 2016. Silver gelatin print and UV printed mat board in aluminum frame. 12 x 19 inches (30.48 x 48.26 cm)
  • B. Ingrid Olson. Red lead resin flush, 2016. inkjet print and UV printed mat board in aluminum frame. 14 x 20 inches (35.56 x 50.80 cm)
  • B. Ingrid Olson. Mutilation, self delay, 2016. inkjet print and UV printed mat board in aluminum frame. 24 x 16.5 inches (60.96 x 41.91 cm)
  • B. Ingrid Olson, Art Basel Miami Beach with Simone Subal Gallery, 2015
  • B. Ingrid Olson. Touched her hem, biting my own tail, 2015. Inkjet print and UV printed mat board in aluminum frame. 18 x 27 inches (46 x 68.5 cm)
  • B. Ingrid Olson, silver, steel, leather, oil, years, 2015. Wood, mat board, polyurethane foam, flashe paint, silver gelatin print, inkjet prints, linen tape, Plexiglas.16 x 12 x 3 inches
  • A big round room with a high arched roof, 2015; Inkjet print and UV printed mat board in aluminum frame; 24 x 17 inches
  • Perfect Spectator and Sex Question, 2015; Inkjet print and UV printed mat board in aluminum frame; 21 x 14.5 inches
  • Installation view Frieze London
  • Installation view Frieze London
  • Installation View Frieze New York
  • double-ended arrow, Simone Subal Gallery, New York, 2015
  • double-ended arrow, Simone Subal Gallery, New York, 2015
  • Axiomatic, fingered and bent, 2014. dye-sublimation print on aluminum, c-prints, found metal object, aluminum, acrylic ink, plexiglas frame, 22 x 34 x 2 1/4 inches.
  • The vases my monitors their frames, Cura.Basement, Rome, 2014
  • How to...(For Andrew Berardini), 2014; inkjet print, laser print, and UV printed matboard in aluminum frame; 25 x 17.5 inches
  • From her come a gang and a run, Document, Chicago, 2013
  • No eternity, only recognition of self delay, 2013; c-print, UV printed matboard and acrylic on metallic paper in Plexiglas frame; 22.5 x 16.5 x 1.25 inches
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B. Ingrid Olson was born in 1987 in Denver, Colorado. She currently lives and works in Chicago, Illinois. Recent solo and two-person exhibitions include KLEIN/OLSON, The Renaissance Society, Chicago (2017); double-ended arrow, Simone Subal Gallery, New York (2015); The vases my monitors their frames, cura.basement, Rome, (2014); and From her come a gang and a run, Document, Chicago (2014). Select group exhibitions include: The problem with having a body / is that it always needs to be somewhere, The Approach, London (2017) ; Scarlet Street, Lucien Terras, New York (2016); Background/Foreground, Galerie Nordenhake, Stockholm (2016); Synecdoche, Jessica Silverman Gallery, San Francisco (2015); Dreams That Money Can’t Buy, MAXXI Museo delle Arti del XXI secolo, Rome (2014) and We seem to still be moving, Simone Subal Gallery, New York, NY (2013)..