Simone Subal Gallery

  • Installation view of Being: New Photography, 2018, Museum of Modern Art, New York. Photo: Martin Seck.
  • Model for a folded room, bound girdle, 2017. UV printed MDF, PVA size, Plexiglas, screws. 23 ½ × 28 ¼ × 7 inches. Photo: Martin Seck.
  • Installation view of Picture Fiction: Kenneth Josephson and Contemporary Photography, The Museum of Contemporary Art, Chicago, 2018. Photo: Nathan Keay.
  • Tawny split, delay, 2018. Inkjet print and UV printed mat board in aluminum frame. 20 × 14 inches (50.80 × 35.56 cm).
  • Installation view of B. Ingrid Olson & Robert Overby, Jessica Silverman Gallery, San Francisco, 2018.
  • Corset, Urn, 2018. Inkjet print and UV printed mat board in aluminum frame. 30 × 21 inches (76.20 × 53.34 cm).
  • Installation view of Lost Without Your Rhythm, The Aspen Art Museum, Aspen, 2018.
  • Installation view of Lost Without Your Rhythm, The Aspen Art Museum, Aspen, 2018.
  • Projection, Body Parsed, 2018. Vinyl paint, enamel paint, latex paint, polyurethane foam, MDF, PETG plastic, fabric, plywood, screws. Dimensions variable.
  • Projection, Body Parsed, 2018. Vinyl paint, enamel paint, latex paint, polyurethane foam, MDF, PETG plastic, fabric, plywood, screws. Dimensions variable.
  • Installation view of Lost Without Your Rhythm, The Aspen Art Museum, Aspen, 2018.
  • Installation view of Forehead and Brain, Albright-Knox Art Gallery, Buffalo, NY, 2018.
  • Installation view of Forehead and Brain, Albright-Knox Art Gallery, Buffalo, NY, 2018.
  • Installation view of Forehead and Brain, Albright-Knox Art Gallery, Buffalo, NY, 2018.
  • Installation view of KLEIN / OLSON, with Astrid Klein, The Renaissance Society, Chicago, IL, 2017.
  • Installation view of KLEIN / OLSON, with Astrid Klein, The Renaissance Society, Chicago, IL, 2017.
  • Firing distance, scission, 2017. UV printed MDF, PVA size, Plexiglas, screws.
  • Perimeter circle, open crest, 2017. UV printed MDF, PVA size, Plexiglas, screws. 20 ¼ × 30 × 7 inches (51.44 × 76.20 × 17.78 cm).
  • Rip bone pipe web, 2017. UV printed MDF, PVA size, Plexiglas, screws. 26 ½ × 18 × 6 inches (67.31 × 45.72 × 15.24 cm).
  • If taken turning, endless house, brain, 2017. Plywood, glue, PVA size, acrylic, vinyl paint and sand on polyurethane foam. 7 x 10 x 10 inches (17.78 x 25.40 x 25.40 cm).
  • If taken turning, endless house, brain, 2017. Plywood, glue, PVA size, acrylic, vinyl paint and sand on polyurethane foam. 7 x 10 x 10 inches (17.78 x 25.40 x 25.40 cm).
  • From her come a gang and a run, 2016. Silver gelatin print and UV printed mat board in aluminum frame. 12 x 19 inches (30.48 x 48.26 cm).
  • Red lead resin flush, 2016. Inkjet print and UV printed mat board in aluminum frame. 14 x 20 inches (35.56 x 50.80 cm).
  • Mutilation, self delay, 2016. Inkjet print and UV printed mat board in aluminum frame. 24 x 16.5 inches (60.96 x 41.91 cm).
  • Installation view of Art Basel Miami Beach with Simone Subal Gallery, 2015.
  • Touched her hem, biting my own tail, 2015. Inkjet print and UV printed mat board in aluminum frame. 18 x 27 inches (46 x 68.5 cm).
  • silver, steel, leather, oil, years, 2015. Wood, mat board, polyurethane foam, flashe paint, silver gelatin print, inkjet prints, linen tape, Plexiglas. 16 x 12 x 3 inches.
  • Installation view of Frieze New York with Simone Subal Gallery, 2015.
  • Installation view of Frieze New York with Simone Subal Gallery, 2015.
  • A big round room with a high arched roof, 2015. Inkjet print and UV printed mat board in aluminum frame. 24 x 17 inches.
  • Perfect Spectator and Sex Question, 2015. Inkjet print and UV printed mat board in aluminum frame. 21 x 14.5 inches.
  • Installation view of double-ended arrow, Simone Subal Gallery, New York, 2015.
  • double-ended arrow, Simone Subal Gallery, New York, 2015
  • Axiomatic, fingered and bent, 2014. Dye-sublimation print on aluminum, c-prints, found metal object, aluminum, acrylic ink, plexiglas frame. 22 x 34 x 2 1/4 inches.
  • Installation view of The vases my monitors their frames, Cura.Basement, Rome, 2014.
  • How to... (For Andrew Berardini), 2014. Inkjet print, laser print, and UV printed matboard in aluminum frame. 25 x 17.5 inches.
  • Installation view of From her come a gang and a run, Document, Chicago, 2013.
  • No eternity, only recognition of self delay, 2013. C-print, UV printed matboard and acrylic on metallic paper in Plexiglas frame. 22.5 x 16.5 x 1.25 inches.
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B. Ingrid Olson was born in 1987 in Denver, Colorado. She currently lives and works in Chicago, Illinois. Recent solo and two-person exhibitions include i8 Gallery, Reykjavík, Iceland (2019) (forthcoming); Forehead and Brain, Albright-Knox Art Gallery, Buffalo NY (2018); Kiss the architect on the mouth, Simone Subal Gallery, New York (2018); B. Ingrid Olson & Robert Overby, Jessica Silverman Gallery, San Francisco (2018); KLEIN/OLSON, The Renaissance Society, Chicago (2017); double-ended arrow, Simone Subal Gallery, New York (2015); The vases my monitors their frames, cura.basement, Rome, (2014); and From her come a gang and a run, Document, Chicago (2014). Select group exhibitions include: Being: New Photography, The Museum of Modern Art, New York (2018); Picture Fiction: Kenneth Josephson and Contemporary Photography, The Museum of Contemporary Art, Chicago (2018); Lost Without Your Rhythm, The Aspen Art Museum, Aspen (2018); Seeing Believing Having Holding, organized by Dan Byers, i8 Gallery, Reykjavik (2018); The problem with having a body / is that it always needs to be somewhere, The Approach, London (2017); and We seem to still be moving, Simone Subal Gallery, New York, NY (2013).