Simone Subal Gallery

  • B. Ingrid Olson. From her come a gang and a run, 2016. Silver gelatin print and UV printed mat board in aluminum frame. 12 x 19 inches (30.48 x 48.26 cm)
  • B. Ingrid Olson. Red lead resin flush, 2016. inkjet print and UV printed mat board in aluminum frame. 14 x 20 inches (35.56 x 50.80 cm)
  • B. Ingrid Olson. Mutilation, self delay, 2016. inkjet print and UV printed mat board in aluminum frame. 24 x 16.5 inches (60.96 x 41.91 cm)
  • B. Ingrid Olson, Art Basel Miami Beach with Simone Subal Gallery, 2015
  • B. Ingrid Olson. Touched her hem, biting my own tail, 2015. Inkjet print and UV printed mat board in aluminum frame. 18 x 27 inches (46 x 68.5 cm)
  • B. Ingrid Olson. Notes for a diagram, 2015. Inkjet print and UV printed mat board in aluminum frame. 13.75 x 19 inches (35 x 48 cm)
  • B. Ingrid Olson, Art Basel Miami Beach with Simone Subal Gallery, 2015
  • B. Ingrid Olson, silver, steel, leather, oil, years, 2015. Wood, mat board, polyurethane foam, flashe paint, silver gelatin print, inkjet prints, linen tape, Plexiglas.16 x 12 x 3 inches
  • A big round room with a high arched roof, 2015; Inkjet print and UV printed mat board in aluminum frame; 24 x 17 inches
  • Perfect Spectator and Sex Question, 2015; Inkjet print and UV printed mat board in aluminum frame; 21 x 14.5 inches
  • Shell and covering object, 2015; Inkjet print and UV printed mat board in aluminum frame; 22 x 15 inches
  • Installation view Frieze London
  • Installation view Frieze London
  • this is the this is light like tongues with cottoned ears, 2015; Inkjet print, and UV inkjet printed matboard in aluminum frame; 20 x 14 inches
  • Androgynous passage, rectangular mask, 2015; Inkjet print, silver gelatin print, and UV inkjet printed matboard in aluminum frame; 27 x 18.5 inches
  • Installation View Frieze New York
  • a marker of space between arms and hands was hands, 2015; Inkjet print, and UV inkjet printed matboard in aluminum frame; 20 x 14 inches
  • Silvering shell, 2015; Inkjet print, and UV inkjet printed matboard in aluminum frame; 27 x 18.5 inches
  • double-ended arrow, Simone Subal Gallery, New York, 2015
  • double-ended arrow, Simone Subal Gallery, New York, 2015
  • double-ended arrow, Simone Subal Gallery, New York, 2015
  • The vases my monitors their frames, Cura.Basement, Rome, 2014
  • Diagram, 2014; oil paint on plaster, steel; 47.5 x 16 x 16 inches
  • Diagram, 2014; oil paint on plaster, steel; 47.5 x 16 x 16 inches (Detail)
  • How to...(For Andrew Berardini), 2014; inkjet print, laser print, and UV printed matboard in aluminum frame; 25 x 17.5 inches
  • From her come a gang and a run, Document, Chicago, 2013
  • No eternity, only recognition of self delay, 2013; c-print, UV printed matboard and acrylic on metallic paper in Plexiglas frame; 22.5 x 16.5 x 1.25 inches
  • creen, 2013; c-print and inkjet print in Plexiglas frame; 20 x 16 x 1.25 inches
  • Dreams That Money Can’t Buy, MAXXI Museo delle Arti del XXI secolo, Rome, 2014 (detail)
  • We seem to still be moving, Simone Subal Gallery, New York, 2013 (Group exhibition)
  • We seem to still be moving, Simone Subal Gallery, New York, 2013 (Group exhibition)
  • We seem to still be moving, Simone Subal Gallery, New York, 2013 (Group exhibition)
  • To scatter (Untitled Music), 2014; inkjet print, silver gelatin print, and UV inkjet printed matboard in aluminum frame; 34 x 24 inches
  • loop, hinge, peel, 2014; dye-sublimation print on aluminum, aluminum, screws, plexiglas frame; 20 x 16 x 1 inches
  • tar, felt, metal, paper, 2014; gouache on board, inkjet print, plexiglas frame; 22 x 16.5 x 1 inches
/

B. Ingrid Olson was born in 1987 in Denver, Colorado. She currently lives and works in Chicago, Illinois. Recent solo exhibitions include: double-ended arrow, Simone Subal Gallery, New York, NY (2015); The vases my monitors their frames, cura.basement, Rome, (2014); and From her come a gang and a run, Document, Chicago, IL (2014). Select group exhibitions include Civilization and Its Discontents, Sullivan Galleries, Chicago, IL (2015); Synecdoche, Jessica Silverman Gallery, San Francisco, CA (2015); The Independent: Dreams that Money Can’t Buy, MAXXI Museo, Rome (2014), and We seem to still be moving, Simone Subal Gallery, New York, NY (2013).