Simone Subal Gallery

  • Intangible Economies of Desire, Sommer Contemporary, Tel Aviv, 2016
  • Intangible Economies of Desire, Sommer Contemporary, Tel Aviv, 2016
  • Anna K.E. Intangible Economies of Desires #1, 2016. Photograph, Drawing, Aluminum, Glass, Plastic, Wood Frame. 55 x 59 x 3 7/8 inches (140 x 150 x 10 cm)
  • Teen Factory, Simone Subal Gallery, New York, NY, 2015
  • Teen Factory, Simone Subal Gallery, New York, NY, 2015
  • Teen Factory, Simone Subal Gallery, New York, NY, 2015
  • TEEN PARANORMAL ROMANCE, Renaissance Society, Chicago, IL
  • TEEN PARANORMAL ROMANCE, Renaissance Society, Chicago, IL
  • The car was his and story mine, Simone Subal Gallery, New York, NY, 2013
  • The car was his and story mine, Simone Subal Gallery, New York, NY, 2013
  • Lucky Weekend, 2013 (detail image), posters by (from left to right, top to bottom, selection): Johannes Wohnseifer, Carolin Eidner, Alexander Wissel, Manuel Graf, Christopher Williams, Martin Pfeifle, Kate Shepard, Christop Westermeier, Simon Thompson
  • Gloss of a forehead, 2011, single channel video projection 8 min 17sec
  • Imagine the rose imagine the blue, 2010, mixed media on paper, 11 ½ x 16 "
  • I suppose my doctor is dead, Interstate Projects, Brooklyn, New York, 2013
  • I suppose my doctor is dead, Interstate Projects, Brooklyn, New York, 2013
  • I suppose my doctor is dead, Interstate Projects, Brooklyn, New York, 2013
  • He was hit by a car, can she still dance?, Kunstverein Mannheim, DE 2012
  • From the series: Secrets of my Father No. 04, 2012, paper, mixed media, 59 x 78 3/4"
  • From the series: Geometrical triangle and some fun around No.03, 2012, paper, mixed media, 86 1/2 x 188"
  • Metaphysical Triangle and Some Fun Around, abc – art berlin contemporary, Berlin , DE 2012
  • Gone Tomorrow 2008-2011, object: mixed media 98 1/2 x 47 1/4 x 17 3/4" (2008), wall: tiles, plasterboard, wood construction, 90 1/2 x 63 x 1 1/2" (2011)
  • Without Jewel, Kunstverein Leverkusen, Leverkusen, DE, 2011
  • Without Jewel, Kunstverein Leverkusen, Leverkusen, DE, 2011
  • The Current Issue Nr. 08, 2011, tiles, bended metal legs, wood filled with coloured plaster, 43 1/3 x 27 1/2 x 59"
  • Enough Sugar, 2011, single channel video projection 8 min 17 sec
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Anna K.E. was born in 1986 in Tbilisi, Georgia and lives and works in New York City and Germany. Selected solo shows include: Sommer Gallery, Tel Aviv (2016); Simone Subal Gallery, New York, USA (2015)(2013); Galerie Barbara Thumm, Berlin, Germany (2015)(2013); Mannheimer Kunstverein, Mannheim, Germany (2012); Gallery Figge von Rosen, Cologne (2013) (2011); Kunstverein Leverkusen, Leverkusen, Germany (2011); Pilot Projekt, Düsseldorf (with Tamara K.E.) (2008); Schaufenster des Kunstvereins für die Rheinlande und Westphalen, Düsseldorf (2007). Selected group shows: The Kitchen, New York, NY (2015); Museum of Contemporary Art, Santa Barbara, CA (2015); Kunstverein Wiesen e.V. Wiesen, Germany (2015); Kunst Raum Riehen, Switzerland (2015); KAI10, Quadriennale Düsseldorf, Germany(2014); Petach Tikva Museum of Art, Israel (2014); The Renaissance Society, Chicago, IL, USA; The III Moscow International Biennale for Young Art, Moscow, Russia (2012); Kunsthalle Recklinghausen, Germany (2011); Gallery Barbara Thumm, Berlin, Germany (2010); Museum K21, Düsseldorf (2010); Young Biennale Köln 2010, Cologne (2010); Cobra Museum, Amsterdam, The Netherlands (2009); Kunstverein Ludwigshafen, Germany (2009); Neues Kunstforum Köln, Cologne, Germany (2009); Stadtgalerie Saarbrücken, Germany (2008); Gloriahalle, Düsseldorf, Germany (2008); Museum am Ostwall, Dortmund, Germany (2005); Museum Kunst Palast, Düsseldorf , Germany (2005); Kunstverein Mönchengladbach, Germany (2005); and Museum Bochum, Germany (2004). In 2012 Hatje Cantz published Anna K.E.’s first monograph entitled A well-to-do man is cruising in his fancy car when a small hen runs out on the road in front.